Framed between trees and rich vegetation, this one-storey residence is strongly defined by its outward appearance of corten steel and glass. The first impression of the house is dominated by a succession of offset planes that are accompanied by wide, deep porches, framing each one of the pieces.
The steel makes a large irregular quartering of vertical cuts that texture the front, achieving a way of piercing the solid, and on occasions, with fine bands of light. The same process of quartering is repeated in the porches, turning some of them into elements of light.
The interior of the house is governed by the whiteness of the parameters and the rust brown of the Borriol Stone. The furniture, projected as part of the architecture, adds the tone of its oak wood.

The design concept of the house depends fundamentally on the correct combination of the materials. Steel, wood, glass and stone are combined in a series that, beginning with the full range of volume, finally comes down to the formal detail that defines each piece of furniture. Each element plays a fundamental part of the impression of this house.
The connection between interior spaces is fluid; making the most public areas separate, by large sliding doors that when left open, provide long intersecting views.
The large panes of glass dilute the interior-exterior limits, allowing one to treat the environment as an aesthetic element more than a space in the house. The house fills the place and at the same time, transforms its character by its forceful presence.